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Music for WeddingsOur Jazz Pianists / Pianos in Rugby are experienced in setting just the right for an exciting and enjoyable Jazz that everyone can appreciate. Without a caller, we also sometimes play for your wedding ceremony, drinks reception or wedding breakfast. Music for Corporate EventsOur highly versatile Jazz Pianists / Pianos in Rugby play for a wide spectrum of events, ranging from entertainment and team building for company employees to corporate hospitality and sales events. Hear music on-lineNot only can you see photos and read about our musicians and their repertoire, but you can hear many of our groups On-Line, direct from our database. Get quotations & book on-lineInterested in our music? Send an email for a prompt, no obligation quotation. Want to discuss the musical options and alternative for your special day? Phone or email us at Midsummer Music, we are here to help. You would like to book us? Email or phone us to book. It's that simple. Click to Enter database Emil Seidel and his Orchestra; Ben Selvin and his Orchestra; Boyd Senter and His Senterpedes; Boyd Senter Trio; Sepia Serenaders; Dan and Harvey's Jazz Band; Dave's Harlem Highlights; Jasper Davis and his Orchestra; Johnny De Droit and his New Orleans Orchestra; Bob Deikman Orchestra; Deppe's Seranaders; Detroit Melodists; Seven Black Dots; Seven Blue Babies; Seven Brown Babies; Seven Gallon Jug Band; Albert E. Short's Tivoli Syncopators; Devonshire Resturant Dance Band; Harry Dial's Bluesicians; Diamond King's Jazz Band; Carroll Dickerson's Savoy Orchestra; Carroll Dickerson's Savoyagers; Dixie Boys; Dixie Daisies; Arthur Schutt and his Orchestra; Al Siegel's Orchestra; Sigler’s Birmingham Merrymakers; Frank Signorelli and his Orchestra; Arthur Sims Creole Roof Orchestra; Dixie Four; Dixie Rhythm Kings; Dixie Serenaders; Dixie Stompers; Dixie Washboard Band; Dixie-Land Thumpers; Dixieland Jug Blowers; Omer Simeon Trio; Zutty Singleton and his Creole Band; Zutty Singleton Trio; Sioux City Six; Sissle and Blake; Dixon and Channey; Vance Dixon and his Pencils; Dixon's Jazz Duo; Dixon's Jazz Maniacs; Dodds And Parham; Baby Dodds Jazz Four; Johnny Dodds and his Chicago Boys; Noble Sissle and his Sizzling Syncopators; Noble Sissle and his Orchestra; Noble Sissle and his International Orchestra; Noble Sissle's Swingsters; Boys; Cliff Edwards and his Hot Combination; Cliff Edwards accompanied by Andy Iona and his
Like bop, fusion did not occur without controversy. As jazz was establishing its legitimacy, it was taking a risk by fusing with rock. Rock also represented a generational division in the American profile. It accompanied the emergence of the post- World War II baby boom to adolescence. It was the first associated exclusively with the young generation and worked as a banner distinction. Its further association with the social and political polarity of the 1960s tended to reinforce the generation lines. Jazz criticism at that time was founded in the swing and, to a lesser extent, the bop traditions. Rock fusion represented a commercialization of an emerging American art form. As the popularity of rock was carried by the baby boom into the adult listening market, its possible fusion seemed guaranteed.
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