South West England Pianists / Pianos

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The names of Jazz Pianist / Piano

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Wenskat Orchester; Wenskat Deutsches Tanz Sport Orchester; Johnny Dunn and his Band; Johnny Dunn and his Jazz Band; Johnny Dunn and his Original Jazz Band; Johnny Dunn's Original Jazz Hounds; Jimmy Durante's Jazz Band; Eagle Band; Eddie and Sugar Lou's Hotel Tyler Orchestra; We Three; Lou Weimer's Gold and Black Aces; Lawrence Welk's Novelty Orchestra; Frank Westphal and his Rainbo Orchestra; Frank Westphal and his Orchestra; Eddie's Hot Shots; Cliff Edwards accompanied by the Californians; Cliff Edwards and The Eton Boys; Cliff Edwards and his Hot Combination; Cliff Edwards accompanied by Andy Iona and his Islanders; Fred Elizalde and his Anglo American Band; Duke Ellington and his Cotton Club Orchestra; Whistler's Jug Band; Paul Whiteman and his Orchestra; Paul Whiteman's Rhythm Boys; White City Jazzers; Whiteway Jazz Band; Duke Ellington and his Kentucky Club Orchestra; Duke Ellington And His Memphis Men; Duke Ellington and his Orchestra; Elgars Creole Orchestra; Empire Jazz Band ; Wally Erickson and the Coliseum Orchestra; Europe's Society Orchestra; The Whoopee Makers; Zack Whyte and his Chocolate Beau Brummels; Herb Wiedoeft's Famous Orchestra; Herb Wiedoeft's Cinderella Roof Orchestra; Herb Wiedoeft and his Orchestra; Jim Europe's 369th Infantry Hell Fighters Band; Feathers and Frogs; Douglas Finnell and his Royal Stompers; Roberto Firpo Orquesta Americana; Fisbach's Charleston Orchester; The Five Harmaniacs; The Five Musical Blackbirds; Wiedoeft-Wadsworth "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

New Orleans, considered the birthplace of jazz, was a thriving international center of commerce at the turn of the century. Because of its location as a seaport on the Mississippi River, it became a melting pot for ethnically diverse cultures. Musical influences from Africa, Spain, Italy, South America, and French cultures combined with ragtime and other popular music of the day to create the New Orleans style. Key to its development was the combination of the aural tradition of the blues along with the imitation of the popular marching band style brought to national prominence by John Philip Sousa. The resultant music created a "ragging" effect or embellishment to the music by combining spontaneous melodic variations with syncopated rhythms.

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