Barking & Dagenham London Pianists / Pianos

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The names of Jazz Pianist / Piano

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Mary Ann McAll ; Willie Coulter and his Band; Ida Cox accompanied by Lovie Austin and her Blues Serenaders; Ida Cox and Lovie Austin; Ida Cox and Papa Charlie Jackson; Ida Cox accompanied by her Five Black Spells; Ida Cox accompanied by the Pruitt Twins; Ida Cox and her Allstar Band; Maxine Sullivan ; Peggy Lee ; Sylvia Syms; Adelaide Hall ; Annette Hanshaw ; Ida Cox and her Allstar Orchestra; Ida Cox accompanied with the Coleman Hawkins Quintet; Rosetta Crawford accompanied by King Bechet Trio; Rosetta Crawford accompanied by James P. Johnson's Hep Cats; Wilton Crawley and his Orchestra; Wilton Crawley and the Washboard Rhythm Kings; Charles Creath's Jazz-O-Maniacs; Connee Boswell ; Ella Fitzgerald ; Ethel Waters ; Helen Humes ; Helen Ward ; Katie Crippen accompanied by Henderson's Novelty Orchestra; Fred Culley and his Royal York Hotel Orchestra; Dabney's Band; Ford Dabney's Syncopated Orchestra; Dan and Harvey's Jazz Band; Dave's Harlem Highlights; Jasper Davis and his Orchestra; Ivie Anderson ; Josephine Baker ; Lee Wiley ; Mabel Mercer ; Martha Tilton ; Johnny De Droit and his New Orleans Orchestra; Bob Deikman Orchestra; Deppe's Seranaders; Detroit Melodists; Devonshire Resturant Dance Band; Harry Dial's Bluesicians; Diamond King's Jazz Band; Mildred Bailey; Annie Ross ; Annie-Marie Moss ; Betty Carter ; Carmen McRae ; Carroll Dickerson's Savoy Orchestra; Carroll Dickerson's Savoyagers; Dixie Boys; "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

When introduced, bop was as unpopular as swing had been popular. The complexity of the style often left the audience behind. The funky players were interested in recapturing the audience and reestablishing the hot jazz expression that had been abandoned by the cool style. This return was enthusiastic and reached back to the most communicative music in their past- church music. Another motive, less defined and certainly debatable, was the need to reclaim jazz as a predominantly African-American expression. Cool, and particularly West Coast jazz, was predominantly white even though Davis and Young were the forerunners. The structured, soft-spoken arrangements were certainly more typical of the European tradition than the expressive African-American voice heard in the early blues.

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